-
Credit: Evan Felts
-
Sawano's oeuvre expresses a life-long engagement and dialogue with nature. Nowhere is this approach more evident than in her Water Lilies and Cherry Orchard series, which have been the artist's focus since the mid-1970s. A visit to the Brooklyn Botanic Garden in 1975 sparked a series of large-scale water lily paintings that have earned her critical acclaim both in New York and Japan. Abundant blooms cascade across these canvases, absorbing the viewer with a shimmering vibrancy. She sees these works as "microcosms of the universe" and has said of their scale, "Small paintings put the focus on technique. Large canvases allow you to transcend technique, to explore the essence of an idea rather than the realism of an image."Multilayered in form, structure, and color, Sawano's water lilies simulate the optical dynamism of nature's temporal phenomena, capturing the sensual immediacy of time and site, of the very substance of light, water, and blooms."You can never keep hold of love or beauty," she has said. "But it's enough to have had that one moment when it lasts.”
- Excerpt from Veil of Flowers: The Landscapes of Mizue Sawano (National Museum of Women in the Arts, 1998), by Alexandra Munroe, Senior Curator at Large, Global Arts, Solomon R. Guggenheim Museum and Foundation
-
Sakura/Cherry Blossom Series
-
Goldfish & Freedom
Mizue Sawano (b. 1941, Japan)
Current viewing_room

