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  • The Best of All Possible Worlds Exhibition

    Gallatin Galleries, New York University, September 10 – October 17, 2026
    Portal, Oil on wood (2025) (View more details about this item in a popup).
    Portal, Oil on wood (2025) (View more details about this item in a popup).
    Portal, Oil on wood (2025) (View more details about this item in a popup).
    Portal, Oil on wood (2025) (View more details about this item in a popup).
    Reliquary, Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk (2025) (View more details about this item in a popup).
    Reliquary, Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk (2025) (View more details about this item in a popup).
    Reliquary, Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk (2025) (View more details about this item in a popup).
    Reliquary, Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk (2025) (View more details about this item in a popup).

    Portal, Oil on wood (2025)

    • Emma Kathleen Hepburn Ferrer (Italy/US) A King is Born (Side A & B), 2025 Oil and gold leaf on wood 26 3/8 x 20 7/8 in 67 x 53 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      A King is Born (Side A & B), 2025
      Oil and gold leaf on wood
      26 3/8 x 20 7/8 in
      67 x 53 cm
    • A King Is Born Frame View Side A 2025 Oil On Wood 67X53 Cm 1
  • The Unicorn continues Ferrer’s exploration of ritual, mythology, and the sacred. Her paintings reinterpret Christian iconography through a universal lens. Living and working in Tuscany, Ferrer engages deeply with the Christian and pagan mythologies that saturate the European landscape. “Where before in my work there was melancholy, now there is mystery,” she reflects. “Where before there was tragedy, now there is a glimmer of hope.”
    • Emma Kathleen Hepburn Ferrer (Italy/US) Reliquary, 2025 Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk Unique 7 7/8 x 9 7/8 x 6 3/4 in 20 x 25 x 17 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Reliquary, 2025
      Brass sculpture of juvenile unicorn horn, placed in 18th century walnut alms box, liturgical silk

      Unique
      7 7/8 x 9 7/8 x 6 3/4 in
      20 x 25 x 17 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Crown of Thorns, 2026 Brass and Bronze 7 7/8 x 7 7/8 x 7 7/8 in 20 x 20 x 20 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Crown of Thorns, 2026
      Brass and Bronze
      7 7/8 x 7 7/8 x 7 7/8 in
      20 x 20 x 20 cm
  • Unicorn Chasse

    Emma Kathleen Hepburn Ferrer (Italy/US), Unicorn Chasse, 2026 (View more details about this item in a popup).
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    Emma Kathleen Hepburn Ferrer (Italy/US), Unicorn Chasse, 2026
    • Emma Kathleen Hepburn Ferrer (Italy/US) Unicorn by a Lake, 2026 Soft-ground and drypoint etching in oil with hand-finished details Unframed 28 1/2 x 16 in 72.4 x 40.6 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Unicorn by a Lake, 2026
      Soft-ground and drypoint etching in oil with hand-finished details
      Unframed
      28 1/2 x 16 in
      72.4 x 40.6 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Lone Horse, 2026 Oil on cotton 39 3/8 x 33 1/2 in 100 x 85 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Lone Horse, 2026
      Oil on cotton
      39 3/8 x 33 1/2 in
      100 x 85 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Blind Horse, 2026 Oil on linen 33 1/2 x 25 5/8 in 85 x 65 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Blind Horse, 2026
      Oil on linen
      33 1/2 x 25 5/8 in
      85 x 65 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Howling Wolf, 2026 Oil on jute 55 1/8 x 55 1/8 in 140 x 140 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Howling Wolf, 2026
      Oil on jute
      55 1/8 x 55 1/8 in
      140 x 140 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Angel of the Snow, 2026 Oil on linen 33 1/2 x 29 1/2 in 85 x 75 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Angel of the Snow, 2026
      Oil on linen
      33 1/2 x 29 1/2 in
      85 x 75 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) The Chosen One , 2025 Oil and 24k gold leaf on jute 35 3/8 x 35 3/8 in 90 x 90 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      The Chosen One , 2025
      Oil and 24k gold leaf on jute
      35 3/8 x 35 3/8 in
      90 x 90 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Turkish Airlines: A Monkey in a T-Shirt, 2025 Oil on jute 35 3/8 x 35 3/8 in 90 x 90 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Turkish Airlines: A Monkey in a T-Shirt, 2025
      Oil on jute
      35 3/8 x 35 3/8 in
      90 x 90 cm
    • Emma Kathleen Hepburn Ferrer (Italy/US) Plaything, 2025 Oil on vintage 1941 Polish velvet tapestry with hand-made brass unicorn rod 59 x 59 in 150 x 150 cm
      Emma Kathleen Hepburn Ferrer (Italy/US)
      Plaything, 2025
      Oil on vintage 1941 Polish velvet tapestry with hand-made brass unicorn rod
      59 x 59 in
      150 x 150 cm
  • About the Artist

    Emma Kathleen Hepburn Ferrer was born in Morges, Switzerland and grew up in Florence, Italy surrounded by the works of medieval and Renaissance artists. As a young adult, Ferrer spent six years in New York where she maintained a studio practice whilst working in art galleries as a curator and artist liaison. In 2021 she returned to her home in Camaiore, Italy, devoting herself to her art practice. There, reflecting on the remote beauty of her rural environment, she began investigating a complex relationship between humans, animals, and Nature, and the relationship of these to a higher power.
     
     
    Early in her artistic career Ferrer pursued a classical education in drawing and painting. One of the youngest students ever accepted into the academy, at 18 years of age she enrolled in the Advanced Painting program at the Florence Academy of Art, a traditional atelier where she would be imbued in the techniques, methodologies, and theories of the old masters. There, Ferrer undertook exhaustive studies from life including still life and the live figure, studying human anatomy as well as becoming fluent in classical materials in drawing, painting, and sculpture. While she initially honed in on an extremely naturalistic way of portraying reality, working solely from life, Ferrer over the last decade has looked inward, greatly loosening her style and leading with an emotive and intuitive practice. Ferrer received her MFA from Central Saint Martins in London in 2024. Throughout the course of her education she has studied under and worked for artists such as Golucho and the maestro Ivan Theimer. She has curated the works of fashion designers Zac Posen and Manolo Blahnik, and artists such as Eugenio Pardini and Sofia Cacciapaglia. Ferrer holds significant admiration for the Quattrocento painters Piero della Francesca, Masaccio, and Paolo Uccello. As a young painter, Ferrer also spent extensive time in Spain where she discovered and began investigating the works of Francisco de Zurbaràn, Symbolist painter Julìo Romero de Torres, and Goya.
  • Installation

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  • Photo by Filbert Kung.
    Photo by Filbert Kung.
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