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Conversation with Curator Rachel Winter: Friday, February 23, 6-8pm
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Sapar Contemporary is proud to present a the first solo exhibition of an important Moroccan artist Mahi Binebine in more than two decades. Binebine is a cultural figure in Morocco, equally well-known for his contribution to the literature and the visual arts. New York City was his creative home in 1990s. The artist is returning to New York with the paintings and sculptures from the recent decade and a selection of recent works on paper. Binebine's artworks trace the contours of individuality, family, history, and sociopolitical change in North Africa in ways that are once universal and particular, using the line to illustrate scenes suggesting that at any moment, we could also be subjects of this narrative.
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Mahi Binebine (Morocco)Sans titre, 2021Wax and pigment on wood19 3/4 x 19 3/4 in
50 x 50 cm -
Mahi Binebine (Morocco)Sans titre, 2021Wax and pigment on wood19 3/4 x 19 3/4 in
50 x 50 cm -
Mahi Binebine (Morocco)Sans titre, 2021Wax and pigment on wood19 3/4 x 19 3/4 in
50 x 50 cm -
Mahi Binebine (Morocco)Sans titre, 2021Wax and pigment on wood19 3/4 x 19 3/4 in
50 x 50 cm
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Rachel Winter is the Assistant Curator at the Eli and Edythe Broad Art Museum at Michigan State University, and an art historian of modern and contemporary West Asia and North Africa. Winter recently curated the major exhibition Blind Spot: Stephanie Syjuco, which was supported by the Terra Foundation for American Art, and Kayla Mattes: DOOMSCROLLING, the artist’s first solo museum exhibition. She also co-edited Samia Halaby: Centers of Energy with Elliot Josephine Leila Reichert, which will be published in March 2024, and is curating the accompanying exhibition Samia Halaby: Eye Witness, which opens at the MSU Broad Art Museum in June 2024. Winter writes broadly about modern and contemporary art from the SWANA region, American art, and museums.
Mahi Binebine: ON THE LINE: Essay by Rachel Winter, Assistant Curator, Eli and Edythe Broad Art Museum at Michigan State University
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