Ranging from miniature paintings to monumental canvas and cardboard installations, Cacciapaglia’s works are a meditation on femininity and the emotional and spiritual co-existence of women. Her iconic larger-than-life works present women who are linked with each other through the rhythm of touching hands, dancing feet, falling hair, and secret glances. Eyes are portals into inner worlds — sometimes closed or blindfolded, other times open and full of mystery. One of Cacciapaglia’s favorite materials is discarded cardboard boxes which she transforms into supports for herpaintings of women andgardens. This usage of old boxes and recycled packaging paper is tied to the artistic, historical, and social roots of Italian arte povera. In our modern age of ecological anxiety, the floral works speak directly not only to the cycles of women and seasons as ameditation on nature, but also the need for environmental renewal.
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Artist Biography
Click for Full BiographySofia Cacciapaglia was born in Ponte dell’Olio, Italy in 1983. She studied Fine Art at the Accademia di Belle Arti di Brera in Milano where she graduated in 2006. After graduating she moved to New York in 2007 and had her first solo show at Industria SuperStudio, curated by photographer Fabrizio Ferri. Since then her work has been exhibited in galleries, foundations and museums in Italy, Switzerland, UK and China. In 2011 she became the youngest artist invited to the Italian Pavillon for the 54° International Art Exhibition La Biennale di Venezia.
In May 2019, she completed “Locus Amoenus,” her first large 360° installation that covered the walls of her studio with discarded cardboard boxes, which she transformed into a blossoming garden from floor to ceiling. This work brings with it an environmental message, giving the salvaged material a second life through the representation of nature and the rebirth of spring.
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Painting on repurposed cardboard boxes
Sofia Cacciapaglia (Italy), Affresco con Nuvole , 2024 -
Sofia Cacciapaglia is a bit of an alchemist. She transforms carboard boxes and packaging paper—inexpensive materials meant to protect precious goods during transit—into prized possessions unto themselves. Take, for instance, Affresco su Cartone: Ottobre 2021 in which cardboard is repurposed into a soaring triptych. Flattened out, the boxes’ volume has been eliminated and forms elongated into three vertical supports on which Cacciapaglia has applied acrylic paint in a series of dynamic daubs and strokes. The effect is an idyllic flower garden reverberating with color and light. While her painterly approach may call to mind Monet’s impressionistic gardens, Cacciapaglia’s work is deeply rooted in her Italian heritage evoking ancient Roman wall painting as much as the Arte Povera movement of the 1960s. - Lana S. Meador Associate Curator of Modern & Contemporary Art, San Antonio Museum of ArtLink to Full Essay
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- Sofia Cacciapaglia (Italy)Affresco su Cartone: Mask, 2023Acrylic on cardboard31 1/2 x 34 1/4 in
80 x 87 cm - Sofia Cacciapaglia (Italy)Affresco su Cartone: Mystery, 2023Acrylic on cardboard36 x 38 1/2 in
91.4 x 97.8 cm - Sofia Cacciapaglia (Italy)Affresco su Cartone: Red Gloves, 2023Acrylic on cardboard18 1/2 x 26 in
47 x 66 cm
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- Sofia Cacciapaglia (Italy)Gaze: Red Profile, 2020Oil on Canvas11 3/4 x 11 3/4 in
30 x 30 cm - Sofia Cacciapaglia (Italy)Gaze + HandsOil on canvas11 3/4 x 11 3/4 in
30 x 30 cm - Sofia Cacciapaglia (Italy)Gaze: Pink and Blue, 2023Oil on canvas11 3/4 x 11 3/4 in
30 x 30 cm - Sofia Cacciapaglia (Italy)Gaze: Figure With a Bow, 2020Oil on Canvas11 3/4 x 15 3/4 in
29.8 x 40 cm - Sofia Cacciapaglia (Italy)Gaze: Blue, 2010Oil on Canvas11 3/4 x 15 3/4 in
30 x 40 cm
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Figure Bianche
2017 Oil on canvas 106 1/4 x 80 3/4 in 270 x 205 cm -
Sofia Cacciapaglia (Italy), Five Swimmers, 2020
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Untitled Miami Installation (2023)
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Acrylic on packaging paper
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Installation images