Artworks

  • Nancy Hemenway Barton, Sea Edge, mid 1970s
    Nancy Hemenway Barton
    Sea Edge, mid 1970s
    Wool, cotton, alpaca, embroidered
    38 x 34 in
    96.5 x 86.4 cm
  • Xiaoze Xie, Chinese Library No. 83, 2026
    Xiaoze Xie
    Chinese Library No. 83, 2026
    Oil on linen
    36 x 54 in
    91.4 x 137.2 cm
  • Xiaoze Xie, Chinese Library No. 84, 2026
    Xiaoze Xie
    Chinese Library No. 84, 2026
    Oil on linen
    24 x 36 in
    61 x 91.4 cm
  • Uuriintuya Dagvasambuu (Mongolia), Colorful Threads, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Colorful Threads, 2026
    Acrylic on canvas
    23 5/8 x 19 3/4 in
    60 x 50 cm
  • Uuriintuya Dagvasambuu (Mongolia), Dream Maker, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Dream Maker, 2026
    Acrylic on canvas
    23 5/8 x 23 5/8 in
    60 x 60 cm
  • Aya Shalkar (Kazakhstan/US), Eleskeser (“Ghost-Cutter” - Ancient Peri/ Kazakh) Engraving Translation: One who hides from themselves, shall be defeated in battle., 2026
    Aya Shalkar (Kazakhstan/US)
    Eleskeser (“Ghost-Cutter” - Ancient Peri/ Kazakh) Engraving Translation: One who hides from themselves, shall be defeated in battle., 2026
    Laser cut steel, natural bone, brass, rope. Hand ground, engraved and embellished in collaboration with traditional kazakhstani artisans
    27 1/2 x 9 1/2 in
    70 x 24 cm
  • Uuriintuya Dagvasambuu (Mongolia), Guardian of Symbiosis, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Guardian of Symbiosis, 2026
    Acrylic on canvas
    23 5/8 x 15 3/4 in
    60 x 40 cm
  • Uuriintuya Dagvasambuu (Mongolia), Guardian of the Dream , 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Guardian of the Dream , 2026
    Acrylic on canvas
    23 5/8 x 19 3/4 in
    60 x 50 cm
  • Uuriintuya Dagvasambuu (Mongolia), Linked Dream, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Linked Dream, 2026
    Acrylic on canvas
    23 5/8 x 19 3/4 in
    60 x 50 cm
  • Aya Shalkar (Kazakhstan/US), Mergen Burial Site Drawing, 2026
    Aya Shalkar (Kazakhstan/US)
    Mergen Burial Site Drawing, 2026
    Pencil on paper (unframed)
    6 3/4 x 6 3/4 in
    17 x 17 cm
  • Aya Shalkar (Kazakhstan/US), Mergen Burial Site Drawing II, 2026
    Aya Shalkar (Kazakhstan/US)
    Mergen Burial Site Drawing II, 2026
    Pencil on paper (unframed)
    6 3/4 x 6 3/4 in
    17 x 17 cm
  • Aya Shalkar (Kazakhstan/US), Mergen Burial Site Drawing III, 2026
    Aya Shalkar (Kazakhstan/US)
    Mergen Burial Site Drawing III, 2026
    Pencil on paper (unframed)
    6 3/4 x 6 3/4 in
    17 x 17 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN I - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen was, 2026
    Aya Shalkar (Kazakhstan/US)
    MERGEN I - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen was, 2026
    Print (unframed)
    9 7/8 x 9 7/8 in
    25 x 25 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN II - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2026
    Aya Shalkar (Kazakhstan/US)
    MERGEN II - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2026
    Print (unframed)
    9 7/8 x 9 7/8 in
    25 x 25 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN III - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2026
    Aya Shalkar (Kazakhstan/US)
    MERGEN III - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2026
    Print (unframed)
    9 7/8 x 9 7/8 in
    25 x 25 cm
  • Uuriintuya Dagvasambuu (Mongolia), Symbiotic Grid, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Symbiotic Grid, 2026
    Acrylic on canvas
    grid approx 106 1/4 x 51 1/8 in
    grid approx 270 x 130 cm
    each panel 50 x 60 cm or 24 x 20 inch
  • Uuriintuya Dagvasambuu (Mongolia), Symbiotic Mountain, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Symbiotic Mountain, 2026
    Acrylic on canvas
    23 5/8 x 15 3/4 in
    60 x 40 cm
  • Uuriintuya Dagvasambuu (Mongolia), Symbiotic VR, 2026
    Uuriintuya Dagvasambuu (Mongolia)
    Symbiotic VR, 2026
    Acyrlic on canvas
    23 5/8 x 15 3/4 in
    60 x 40 cm
  • Aya Shalkar (Kazakhstan/US), Umaibata (“Great Mother’s Blessing” - Ancient Peri/ Kazakh) Engraving Translation: In the name of the Great Mother Umai, we shall all be reborn from soil., 2026
    Aya Shalkar (Kazakhstan/US)
    Umaibata (“Great Mother’s Blessing” - Ancient Peri/ Kazakh) Engraving Translation: In the name of the Great Mother Umai, we shall all be reborn from soil., 2026
    Laser cut steel, natural bone, brass, rope. Hand ground, engraved and embellished in collaboration with traditional kazakhstani artisans
    27 1/2 x 7 7/8 in
    70 x 20 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), Unicorn Chasse, 2026
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Unicorn Chasse, 2026
    Brass sculpture of Unicorn horn, glass, brass
    17 1/2 x 1 1/2 in
    44.5 x 3.8 cm
    (Unicorn Horn) $3,800
    with glass case $5,200

  • Emma Kathleen Hepburn Ferrer (Italy/US), Unicorn Chasse, 2026
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Unicorn Chasse, 2026
    Brass sculpture of Unicorn horn, glass, brass
    17 1/2 x 1 1/2 in
    44.5 x 3.8 cm
    (Unicorn Horn) $3,800
    with glass case $5,200

  • Aya Shalkar (Kazakhstan/US), Aiqoshqar (“Ramshead of the Moon” - Ancient Peri/ Kazakh) Engraving Translation: Like the Ram’s horn and the Moon’s crescent, what’s yours shall return to you., 2025
    Aya Shalkar (Kazakhstan/US)
    Aiqoshqar (“Ramshead of the Moon” - Ancient Peri/ Kazakh) Engraving Translation: Like the Ram’s horn and the Moon’s crescent, what’s yours shall return to you., 2025
    Materials & technique: Laser cut steel, natural bone, brass, rope. Hand ground, engraved and embellished in collaboration with traditional kazakhstani artisans
    27 1/2 x 13 3/4 in
    70 x 35 cm
  • Xiaoze Xie, Chinese Library No. 82, 2025
    Xiaoze Xie
    Chinese Library No. 82, 2025
    Oil on Linen
    24 x 36 in
    61 x 91.4 cm
  • Gabriela Albergaria (Portugal/Belgium), Cooperações #5, 2025
    Gabriela Albergaria (Portugal/Belgium)
    Cooperações #5, 2025
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    39 3/4 x 29 1/8 in
    101 x 74 cm
  • Uuriintuya Dagvasambuu (Mongolia), Data Pathways, 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Data Pathways, 2025
    Acrylic on canvas
    78 3/4 x 38 1/4 in
    200 x 97 cm
  • Gabriela Albergaria (Portugal/Belgium), Fagus Sylvatica at Brooklyn Botanic Garden, 2025
    Gabriela Albergaria (Portugal/Belgium)
    Fagus Sylvatica at Brooklyn Botanic Garden, 2025
    Ink jet print on rag, colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    59 x 52 3/8 in
    150 x 133 cm
  • Altynai Osmo (Kyrgyzstan), Kryk Kyz: Aichurek (Forty Maidens), 2025
    Altynai Osmo (Kyrgyzstan)
    Kryk Kyz: Aichurek (Forty Maidens), 2025
    Cupro nickel on burnt felt, zircon, handmade Japanese Kyoseishi crinkle paper, organza silk, silver foil, shyryk stitching and chekit burnt bread stamps. Raw silk lining.
    33 7/8 x 31 1/2 in
    86 x 80 cm
  • Altynai Osmo (Kyrgyzstan), Kyrk Kyz I: Karabyork (Forty Maidens) , 2025
    Altynai Osmo (Kyrgyzstan)
    Kyrk Kyz I: Karabyork (Forty Maidens) , 2025
    Cupro nickel on burnt felt, zircon, shyryk embroidery and
    chekit burnt bread stamps. Raw silk lining
    31 1/2 x 29 in
    80 x 73.7 cm
  • Altynai Osmo (Kyrgyzstan), Kyrk Kyz IV: Kanykei (Forty Maidens) , 2025
    Altynai Osmo (Kyrgyzstan)
    Kyrk Kyz IV: Kanykei (Forty Maidens) , 2025
    Cupro nickel on burnt felt, organza silk, zircon, shyryk
    embroidery and chekit burnt bread stamps. Raw silk lining.
    31.9 x 34.6 in
  • Altynai Osmo (Kyrgyzstan), Kyrk Kyz VI: Saikal (Forty Maidens) , 2025
    Altynai Osmo (Kyrgyzstan)
    Kyrk Kyz VI: Saikal (Forty Maidens) , 2025
    Cupro nickel on burnt felt, shyryk embroidery and chekit burnt
    bread stamps. Raw silk lining.
    35 x 22 3/4 in
    88.9 x 57.9 cm
  • Altynai Osmo (Kyrgyzstan), Kyrk Kyz VII: Ak Maral (Forty Maidens) , 2025
    Altynai Osmo (Kyrgyzstan)
    Kyrk Kyz VII: Ak Maral (Forty Maidens) , 2025
    Cupro nickel on burnt felt, zircon, organza silk, silver foil,
    shyryk embroidery and chekit burnt bread stamps. Raw silk
    lining.
    36 1/4 x 26 3/4 in
    91.9 x 67.8 cm
  • Altynai Osmo (Kyrgyzstan), Kyrk Kyz: Moonai (Forty Maidens), 2025
    Altynai Osmo (Kyrgyzstan)
    Kyrk Kyz: Moonai (Forty Maidens), 2025
    Cupro nickel on burnt felt, zircon, organza silk, shyryk stitching and chekit burnt bread stamps. Raw silk lining
    24 3/8 x 22 in
    62 x 56 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN I - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen was, 2025
    Aya Shalkar (Kazakhstan/US)
    MERGEN I - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen was, 2025
    Print
    40 x 40 in
    101.6 x 101.6 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN II - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2025
    Aya Shalkar (Kazakhstan/US)
    MERGEN II - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2025
    Print
    40 x 40 in
    101.6 x 101.6 cm
  • Aya Shalkar (Kazakhstan/US), MERGEN III - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2025
    Aya Shalkar (Kazakhstan/US)
    MERGEN III - A photo reconstruction of the archer centaur Mergen, discovered at a burial site near the Tarbagatai mountain range, dated to the 6th century CE. The site is believed to belong to the Peri civilization that once inhabited the region. Mergen w, 2025
    Print
    40 x 40 in
    101.6 x 101.6 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), Plaything, 2025
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Plaything, 2025
    Oil on vintage 1941 Polish velvet tapestry with hand-made brass unicorn rod
    59 x 59 in
    150 x 150 cm
  • Altynai Osmo (Kyrgyzstan), Race, Taitoru! Horse blanket based on the Kyrgyz Epos Manas., 2025
    Altynai Osmo (Kyrgyzstan)
    Race, Taitoru! Horse blanket based on the Kyrgyz Epos Manas., 2025
    Cupro nickel on felt, karakul fur, glass beads against evil
    eye, silver foil, quartz and silk (possibly) and yak hair ropes.
    56 x 60 in
    142.2 x 152.4 cm
  • Uuriintuya Dagvasambuu (Mongolia), Symbiotic Circuit , 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Symbiotic Circuit , 2025
    Acrylic on canvas
    78 3/4 x 38 1/4 in
    200 x 97 cm
  • Xiaoze Xie, The Forbidden Book Series: Water Margin; Banned in the 24th year of Qing Emperor Daoguang’s reign and the 7th year of Qing Emperor Tongzhi’s reign as an obscene book, 2025
    Xiaoze Xie
    The Forbidden Book Series: Water Margin; Banned in the 24th year of Qing Emperor Daoguang’s reign and the 7th year of Qing Emperor Tongzhi’s reign as an obscene book, 2025
    Porcelain, painted in underglaze blue, two elements
    8 x 10 1/2 x 1 1/2 in
    20.3 x 26.7 x 3.8 cm
  • Xiaoze Xie, The Forbidden Books Series: Notes on the Daily Accumulation of Knowledge; Banned in Qing Dynasty because the author was an important anti-Qing figure, 2025
    Xiaoze Xie
    The Forbidden Books Series: Notes on the Daily Accumulation of Knowledge; Banned in Qing Dynasty because the author was an important anti-Qing figure, 2025
    Porcelain, unglazed
    12 3/8 x 11 5/8 x 3/4 in
    31.4 x 29.5 x 1.9 cm
  • Xiaoze Xie, The Forbidden Books Series: Qian Qianyi. Śūraṅgama Sūtra. Banned in 1770s during the Qianlong Reign/Qing Dynasty., 2025
    Xiaoze Xie
    The Forbidden Books Series: Qian Qianyi. Śūraṅgama Sūtra. Banned in 1770s during the Qianlong Reign/Qing Dynasty., 2025
    Porcelain, unglazed
    12 1/2 x 11 1/2 x 1 1/2 in
    31.8 x 29.2 x 3.8 cm
  • Xiaoze Xie, The Forbidden Books Series: The Golden Lotus (Voyeurism); Banned as an obscene book in the 7th year of Qing Emperor Tongzhi’s reign (1868), 2025
    Xiaoze Xie
    The Forbidden Books Series: The Golden Lotus (Voyeurism); Banned as an obscene book in the 7th year of Qing Emperor Tongzhi’s reign (1868), 2025
    Porcelain, unglazed
    11 1/4 x 11 x 1 1/2 in
    28.6 x 27.9 x 3.8 cm
  • Xiaoze Xie, The Forbidden Books Series: The Peony Pavilion (Coming Back to Life), 2025
    Xiaoze Xie
    The Forbidden Books Series: The Peony Pavilion (Coming Back to Life), 2025
    Porcelain, painted in underglaze blue, two elements
    10 1/2 x 14 x 1 1/2 in
    26.7 x 35.6 x 3.8 cm
  • Xiaoze Xie, The Forbidden Books Series; Water Margin.Banned during the late Ming dynasty and the Qing dynasty due to anti-government themes;, 2025
    Xiaoze Xie
    The Forbidden Books Series; Water Margin.Banned during the late Ming dynasty and the Qing dynasty due to anti-government themes;, 2025
    Porcelain, painted in underglaze blue
    6 5/8 x 8 1/4 x 5/8 in
    16.8 x 21 x 1.6 cm
  • Xiaoze Xie, The Forbidden Books Series; Water Margin .Banned during the late Ming dynasty and the Qing dynasty due to anti-government themes; , 2025
    Xiaoze Xie
    The Forbidden Books Series; Water Margin .Banned during the late Ming dynasty and the Qing dynasty due to anti-government themes; , 2025

    Porcelain, painted in underglaze blue
    8 x 8 7/8 x 5/8 in
    20.3 x 22.5 x 1.6 cm
  • Altynai Osmo (Kyrgyzstan), Umai Ene III (Mother Umai), 2025
    Altynai Osmo (Kyrgyzstan)
    Umai Ene III (Mother Umai), 2025
    Cupro nickel on nuno felt, organza silk, lapis lazulis, zircon,
    vintage silver details and yak hair ropes.
    63 3/4 x 25 5/8 in
    162 x 65 cm
  • Altynai Osmo (Kyrgyzstan), Umai Oimo Jurök I (Mother's Heart), 2025
    Altynai Osmo (Kyrgyzstan)
    Umai Oimo Jurök I (Mother's Heart), 2025
    Sterling silver on burnt cotton, nuno felt and raw silk lining.
    5 1/8 x 3 1/8 in
    13 x 8 cm
  • Altynai Osmo (Kyrgyzstan), Umai Oimo Jurök II (Heart like a bird ), 2025
    Altynai Osmo (Kyrgyzstan)
    Umai Oimo Jurök II (Heart like a bird ), 2025
    Sterling silver on burnt cotton, nuno felt and raw silk lining.
    6 1/4 x 4 in
    16 x 10 cm
  • Altynai Osmo (Kyrgyzstan), Umai Oimo Jurök III (Great Mother's Heart / Primordial), 2025
    Altynai Osmo (Kyrgyzstan)
    Umai Oimo Jurök III (Great Mother's Heart / Primordial), 2025
    Sterling silver on burnt cotton, nuno felt and raw silk lining
    9 7/8 x 5 1/2 in
    25 x 14 cm
  • Altynai Osmo (Kyrgyzstan), Untitled, 2025
    Altynai Osmo (Kyrgyzstan)
    Untitled, 2025
    Pastel on handmade Kyoseishi crinkle paper
    37 3/8 x 24 3/8 in
    95 x 62 cm
  • Altynai Osmo (Kyrgyzstan), Untitled, 2025
    Altynai Osmo (Kyrgyzstan)
    Untitled, 2025
    Pastel on handmade Kyoseishi crinkle paper
    37 3/8 x 24 3/8 in
    95 x 62 cm
  • Uuriintuya Dagvasambuu (Mongolia), Uuree's Kitchen: Still Existence, 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Uuree's Kitchen: Still Existence, 2025
    Acrylic on canvas
    23 1/2 x 23 1/2 in
    59.7 x 59.7 cm
  • Altynai Osmo (Kyrgyzstan), Venus Jengeler II (Venus Auntie Starry Sky), 2025
    Altynai Osmo (Kyrgyzstan)
    Venus Jengeler II (Venus Auntie Starry Sky), 2025
    Sterling silver on felt, turquoise, stainless steel radio
    antenna and white marble base stand.
    8 1/4 x 3 7/8 in
    20.8 x 9.9 cm
  • Uuriintuya Dagvasambuu (Mongolia), Woman in Ulaanbaatar: Between Signal & Self, 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Woman in Ulaanbaatar: Between Signal & Self, 2025
    Acrylic on canvas
    55 1/8 x 38 1/4 in
    140 x 97 cm
  • Uuriintuya Dagvasambuu (Mongolia), Woman in Ulaanbaatar: Dreams Carried by Wind, 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Woman in Ulaanbaatar: Dreams Carried by Wind, 2025
    Acrylic on canvas
    55 1/8 x 39 3/8 in
    140 x 100 cm
  • Uuriintuya Dagvasambuu (Mongolia), Woman in Ulaanbaatar: Synesthetic Experience, 2025
    Uuriintuya Dagvasambuu (Mongolia)
    Woman in Ulaanbaatar: Synesthetic Experience, 2025
    Acrylic on canvas
    21 5/8 x 56 1/4 in
    55 x 143 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), A Humble Return, 2024
    Emma Kathleen Hepburn Ferrer (Italy/US)
    A Humble Return, 2024
    Oil on linen
    17 3/4 x 13 3/4 in
    45 x 35 cm
  • Sofia Cacciapaglia (Italy), Affresco con Arco: Garden, 2024
    Sofia Cacciapaglia (Italy)
    Affresco con Arco: Garden, 2024
    Acrylic on cardboard
    108 5/8 x 96 1/2 in
    276 x 245 cm
  • Sofia Cacciapaglia (Italy), Affresco con Nuvole , 2024
    Sofia Cacciapaglia (Italy)
    Affresco con Nuvole , 2024
    Acrylic on cardboard
    23 1/4 x 74 3/4 in
    59 x 190 cm (left panel) $5,200

    51 5/8 x 90 1/2 in
    131 x 230 cm (center) $7,000

    23 1/4 x 74 3/4 in
    59 x 190 cm (right panel) $5,200

  • Mulyana (Indonesia), Betty 21, 2024
    Mulyana (Indonesia)
    Betty 21, 2024
    Plastic yarn, plastic net, cable wire
    82 5/8 x 76 3/4 x 13 3/4 in
    210 x 195 x 35 cm
  • Mulyana (Indonesia), Betty 23, 2024
    Mulyana (Indonesia)
    Betty 23, 2024
    Plastic yarn, plastic net, cable wire
    74 3/4 x 70 7/8 x 13 3/4 in
    190 x 180 x 35 cm
  • Mulyana (Indonesia), Betty 24, 2024
    Mulyana (Indonesia)
    Betty 24, 2024
    Plastic yarn, plastic net, cable wire
    82 5/8 x 74 3/4 x 13 3/4 in
    210 x 190 x 35 cm
  • Mulyana (Indonesia), Betty 25, 2024
    Mulyana (Indonesia)
    Betty 25, 2024
    Plastic yarn, plastic net, cable wire
    74 3/4 x 78 3/4 x 13 3/4 in
    190 x 200 x 35 cm
  • Mulyana (Indonesia), Betty 26, 2024
    Mulyana (Indonesia)
    Betty 26, 2024
    Plastic yarn, plastic net, cable wire
    65 x 51 1/8 x 13 3/4 in
    165 x 130 x 35 cm
  • Mulyana (Indonesia), Betty 27, 2024
    Mulyana (Indonesia)
    Betty 27, 2024
    Plastic yarn, plastic net, cable wire
    63 x 80 3/4 x 11 3/4 in
    160 x 205 x 30 cm
  • Mulyana (Indonesia), Betty 28, 2024
    Mulyana (Indonesia)
    Betty 28, 2024
    Plastic yarn, plastic net, cable wire
    86 5/8 x 86 5/8 x 13 3/4 in
    220 x 220 x 35 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), Church at Lago di Garda , 2024
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Church at Lago di Garda , 2024
    Intaglio etching
    7 7/8 x 5 7/8 in
    20 x 15 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), Church at Lago di Garda , 2024
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Church at Lago di Garda , 2024
    Intaglio etching
    7 7/8 x 5 7/8 in
    20 x 15 cm
  • Emma Kathleen Hepburn Ferrer (Italy/US), Church at Lago di Garda , 2024
    Emma Kathleen Hepburn Ferrer (Italy/US)
    Church at Lago di Garda , 2024
    Intaglio etching
    7 7/8 x 5 7/8 in
    20 x 15 cm
  • Gabriela Albergaria (Portugal/Belgium), Cooperações #6, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Cooperações #6, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    39 3/4 x 16 1/8 in
    101 x 41 cm
  • Gabriela Albergaria (Portugal/Belgium), Cooperações #7, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Cooperações #7, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    39 3/4 x 23 5/8 in
    101 x 60 cm
  • Gabriela Albergaria (Portugal/Belgium), Cooperações #8, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Cooperações #8, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    39 3/4 x 30 1/4 in
    101 x 77 cm
  • Gabriela Albergaria (Portugal/Belgium), Cooperações #9, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Cooperações #9, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    39 3/4 x 31 1/2 in
    101 x 80 cm
  • Faig Ahmed (Azerbaijan), E, 2024
    Faig Ahmed (Azerbaijan)
    E, 2024
    Handmade synthetic carpet
    61 x 95 5/8 in
    155 x 243 cm
  • Gabriela Albergaria (Portugal/Belgium), Endangered (Castanea Sativa) #4, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Endangered (Castanea Sativa) #4, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    11 5/8 x 18 3/4 in
    29.5 x 47.5 cm
  • Gabriela Albergaria (Portugal/Belgium), Endangered (Fagus Sylvatica) #1, 2024
    Gabriela Albergaria (Portugal/Belgium)
    Endangered (Fagus Sylvatica) #1, 2024
    Colour pencil on paper ( Heritage Woodfree Bookwhite 315gsm)
    8 5/8 x 13 3/8 in
    22 x 34 cm
  • Faig Ahmed (Azerbaijan), Epoch, 2024
    Faig Ahmed (Azerbaijan)
    Epoch, 2024
    Handmade woolen and silk carpet
    66 1/2 x 137 3/4 in (with hair)
    169 x 350 cm
  • Faig Ahmed (Azerbaijan), Gen Culture, 2024
    Faig Ahmed (Azerbaijan)
    Gen Culture, 2024
    Handmade wool carpet
    38 5/8 x 81 1/2 in (top part)
    98 x 207 cm

    57 1/8 x 81 1/2 in (widest part)
    145 x 207 cm
  • Uuriintuya Dagvasambuu (Mongolia), Magical Door, 2024
    Uuriintuya Dagvasambuu (Mongolia)
    Magical Door, 2024
    Acrylic on rice paper on canvas
    59 x 59 in
    150 x 150 cm
  • Saule Dyussenbina (Kazakhstan), MoMA. The Picture Looks at Me: Lehmbruck, Standing Youth 1913, 2024
    Saule Dyussenbina (Kazakhstan)
    MoMA. The Picture Looks at Me: Lehmbruck, Standing Youth 1913, 2024
    Watercolor on Cotton paper
    11 5/8 x 16 1/2 in
    29.5 x 42 cm
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